Nature shots with a natural perspective. The classic, slightly wide-angle 35 mm focal length of this lens is matched by the fast f/2 maximum aperture, perfect for shooting hand-held in lower light as you wander the wilderness, shooting as you see it.

If you want to cover a lot of sky or showcase panoramic views, a fisheye lens on a full-frame camera will work together perfectly. This L-series lens will distort straight lines of perspective, fitting more in the frame – and you can use it for it’s purely-creative distinct hemispherical style.

This ultra-wide-angle L-series lens features a bright f/2.8 maximum aperture, so it’s well-suited to working in difficult lighting conditions such as dusk light, forest scenes and even astrophotography with the right tripod.

A highly-versatile zoom for the EOS R mirrorless range, this L-series RF lens is ideal for working with layered scenes such as valleys with clouds and mountain ranges, the versatile focal length means you can shoot virtually any scene, without having to change lenses.

Usually associated with cityscapes and architecture, Tilt-Shift lenses can help correct perspective problems caused by shooting at an angle. This lens’ tilt and shift mechanisms are controlled individually and can help you include the vast width of a tree trunk within the canopy, for truly striking results.

The lens’ 50 mm focal length has a similar perspective to that of the human eye, and with its super-wide f/1.2 aperture it works brilliantly in low light, also allowing for extremely shallow depth of field – ideal for emphasising foliage against dense, wooded areas.